Repeated Memories

For years, I’ve collaborated with experimental poet Michael Ruby. Below are video excerpts from our most recent flight of strangeness.

Repeated Memories Excerpts

On December 9, 2023 at Green Kill gallery in Kingston, N.Y., Michael read poetry from his book Memories, Dreams and Inner Voices (Station Hill Press) and prose written for this piece. I played electric bass, banjo and electric guitar, improvising to his words, along with pre-recorded fragments of songs that work like repeated memories in my brain. The performance included an immersive video by poet Sam Truitt, using old film and video shot by Deena Shoshkes, Immy Humes and others from the 1970s to 1990s. The text, which was temporarily lost in a damaged building on 9/11, focuses on memories that appear repeatedly for no apparent reason. The full performance is available, too, here.

Transmission

Transmission is a reading/performance with my brother Joshua Fried and his RADIO WONDERLAND that we will present Sunday, August 29, 2021, 8 pm, as part of Station Hill Press’s Intermedia Lab.

It combines the text from Confessions of a Virus (see below) and an unpublished piece of COVID-inspired fiction called, Summa Paranoia, which I wrote at the suggestion of Michael Ruby, long before he and Station Hill Exec Editor Sam Truitt dreamed up their multimedia streaming reading/video/sound performance series, Intermedia Lab. I’ll be reading and chanting over/under/alongside the spontaneously created grooves RADIO WONDERLAND produces live from local FM Radio and a feed of a recording of Confessions of Virus.

It will be strange and danceable. I you are reading this after the fact…I will try to remember to put a link to a video recording of it…right here:

Confessions of a Virus

This four-part strangeness ends on what to me is a positive note, if you can make it that far. It began with this text, then Deena Shoshkes and I added music and then I made videos.

Confessions of a Virus

1.

If there’s anything we’ve learned by watching your leaders – and of course we’re watching, just because we don’t have a consciousness like yours doesn’t mean we’re not watching – it’s that the self is boundless. We’re a collective self, as boundless as any, and for whatever reason, I’m the voice of that self. How I’m not sure, but I think I may know why. To explain. Maybe even apologize.

But first a question: how different is our merging with your cells from your merging of your own after what you call an act of love? We understand that what we do is not the recombination of equal opposites you seem to enjoy. We understand that you see us as parasites and it’s true we can’t survive without you. But neither can you survive without you. How different is that?

I’ll tell you one way we’re different. We don’t have eyes – we have one eye we share. I can’t tell you how it works, but I can tell you what it’s like to be on the lip of a bat, flying in the purple dusk, zig-zagging in the hunt for bugs – it’s a dizzying thrill. Much calmer inside the bat’s warm, wet lung. We would’ve stayed there, in the bats, but we didn’t. Can you blame us? I suppose you will regardless. Blaming is one of the things you do.

We know you’re smart – or you can be. You’ve figured out that for the tiniest particles, the rules of time and space don’t apply. While in the grand scale we’re actually closer to your size than that, we’re small enough to evade some of the rules of time, so I’ve “spoken” to viruses that “lived” – words I guess you’d say I use loosely – hundreds of thousands, even millions of years ago, and I see that we have a problem you have. We can be victims of our own success. Let me give you an example. There was a group of early humans whose brains had somehow mutated to take on the best of the mammalian world – canine love, feline patience, primate fraternity, elephantine order, and a coronavirus found a comfortable home in their lungs with hardly a symptom. Then a deadly mutation occurred and in weeks, this happy group of short, hairy bipeds was gone, and the guilty coronavirus with it. Both forever. You see, we don’t want to overwhelm. It’s not good for us.

2.

Another thing we share: we can’t usually cross the species line. Our world is your world, the human world. The rest of the animal kingdom? It feeds you, sometimes kills you, sometimes keeps you company, sometimes inspires wonder, terror, delight or disgust. The pangolin, with its scales and its sticky tongue can do most of that. We didn’t choose to mutate into a form that could leap from bat to pangolin. We never choose to mutate. But look what happened next: in a meat market in Wuhan, we found ourselves an even more luxurious home: the lungs of the one mammal that has spread to every corner of the planet. How could we resist? Even if we had in us any power of resistance?

Things we don’t share: We’re not given to anger. We don’t succumb to the frustration of our desires. We don’t disintegrate into murderous factions. We don’t smolder with envy, though I will say that in my strange designation as spokesperson – another term you’ll say I use loosely – I do have a sense of your internal states. I have glimpses of your emotions. (I suppose putting things into words will do that). The exchange of breath and touch – necessary for us both to survive – gives you the occasional feeling of ecstasy. I can see how that could inspire envy. And how, if we were given to maliciousness, we might take some kind of twisted pleasure in the way we’ve forced you into isolation. Although we’re also squeezing your family units closer together. I’d think you might like that. You with your jobs and your economy – I’d think you’d prefer a world without them.

Though I’d also imagine that the ecstasy you create together would so attune you to each other that you’d never experience its opposite, the misery you seem to inflict on one another just as easily, or maybe more easily. I also have some sense of the misery each of you seems to be able to inflict on yourselves.

3.

We feel no emotions. But there may be something like the experience of bees in a hive, a collective buzzing. And there may even be, I admit, a collective determination that could be called a mean streak. We do not want to be hated, but we understand how that could be. Like I said, we did not choose this mutation. And yet we will be what we are. Like you.

Like you we’re thin skinned. We hate bleach. If you could give your lungs a quick rinse with bleach, we’d be gone. But so would your lungs.

What we find most fascinating about you – even more than your zig-zagging from ecstasy to misery – is your irrational altruism. Like ants, you will sometimes lay yourselves down in the water, drowning yourselves to make a bridge for others. It’s like your desire for friendship. Unlike any other animals I’m aware of, you’ll risk your lives to hang out. I believe I use that term correctly.

So bleach won’t work. But there’s something that would. I will tell you because I don’t think you’ll be able to use this information, so there’s little risk to us. And yet, through this strange window into you through these words, I admit that I share a hope: a hope that you will somehow manage it, that you will rid yourselves of us, leaving some other coronas to carry on, coronas that will be better or worse, more malignant or more benign, testing the balance of your overcrowded world and your power to organize within it.

The cure is a song. There is a song that would destroy us. The same way a high pitch at just the right frequency can shatter a crystal glass, there is a song, a set of pitches, melodic turns and rhythmic patterns that creates a penetrating effect that would pierce and disintegrate us. Instantly. I’ll sing it for you. Just as I can speak, I can sing.

You can’t hear it, can you?

I’m singing it over and over.

OK, there is no song. That was a wish, a wish I suppose we shared for a moment. Or so I’d like to think. But there is a tone, a certain frequency, that if sent with sufficient intensity and delivered in just the right way would in fact destroy us. I won’t tell you what it is. I can’t do that. I don’t think you could hear it anyway.

Or maybe that’s just another wish.

 

4.

We’re not happy with what we’ve done. Are you happy with what you’ve done?

I’m not happy with my role here. Are you happy with yours?

Here’s another thing you may not be able to hear, something we know about your future, because we can see that too, the same way we can see the next virus that will plague you and the one after that and the one after that, the ones you’ll never feel, the ones you’ll feel a lot: by spreading as we’ve done to just about every corner of your world we’ve turned that world into one place the way it’s never been before, and turned you all into one group in a way you’ve never been before, and as a result you are making a step toward unity that cannot be unmade, leading you in a direction that cannot be changed, regardless of how many zigs and zags you complicated beings with your separate yet combined internal states may take. And I know that this change will happen whether you want it or not, whether you like it or not, and there’s not a thing you can do about it, like there’s not a thing we can do to stop ourselves from slipping into your cells and killing you and leaving the rest of you in doubt, shock, denial, fear, hope, stress, wonder and confusion.  

Yours,

19

Not Quite Science Fiction

Delighted to have a story in this recently published science fiction collection, even if my contribution is barely science fiction, but editor Matt Sinclair, the Chief Elephant Officer (CEO) at Elephant's Bookshelf Press, wanted to include me in something. Thanks, Matt! Proud to have my story described as the "oddest" in the collection.

My story is called “Primary Season: Love Red on Planet Blue.” It’s a story about crossing the boundaries in a two-party system and a multi-species world. Any act of love will change the universe forever, though some of these acts will have more impact than others.

Literature of a Different Kind

  • Very proud to report here the release of the debut album “Sparks Like Little Star” by my band, the Campfire Flies. I play banjo and bass and sing in this band, which features four fabulous songwriters: John Baumgartner, Matt Davis, Ed Seifert and Deena Shoshkes. Also in the band, Toni Baumgartner. Soon enough we’ll have our hand-made songbook for sale on the band website store and you can see for yourself the kind of literature I’m talking about.

Shortlisted, Twice

A short story of mine was shortlisted for the 2018 Bridport Prize in the UK and another shortlisted for the 2018 Tulip Tree Press Stories that Must Be Told contest. In both cases I’m in good and broad company, making me wonder how long a shortlist has to be before it becomes a longlist, but I don’t wonder long. It’s nice to be in good and broad company. Thank you, Bridport Prize and Tulip Tree.

The stories? For the Bridport Prize, it was “We Started and We’ll End in the Treetops” and for the Tulip Tree, “Love Is a Rock,” both stories from my collection Useless Guide to Modern Romance. Someday I hope to publish all of them, together or separately.

Transcendent Guide to Corporate America: Guide to the Guide #10

 

With “Love in the Afternoon,” we return to the surreal as we take a very different look at the love that grows among officemates. Here there are three types of beings: the narrator, who aspires to be a part of the machinery, even to be a machine himself; two genius computer coders who live outside the corporate norm even as they spend more hours at the job than just about anyone else; and the rest of the workforce, who, at every level, from executive on down, tend to move through the office by rolling across the floor or performing gymnastic or even balletic moves and are given to forming human pyramids and lying across filing cabinets slowly waving their arms in circles. Our narrator watches as a platonic love overwhelms the two coders and he/it tries to understand what transpires when the beta of the two must find a way to escape the alpha. The alpha, who has taken a liking to our narrator, is mystified, too, and heartbroken. Soon both coders are gone from the company, leaving our narrator clinging to the unlikely hope that someday his workplace, which appears to be his entire social world, may deliver him.

In submitting for publication the Transcendent Guide to Corporate America, my collection of stories about work and life in the corporate era, I  wrote a detailed description of the book. It turned into a story-by-story summary about how themes in the stories relate to the general themes of the guide. I thought I'd present them here, one story at a time. This is the tenth. As for what the individual stories are actually "about," you're on your own. If you'd like to read one, some can be found online here.

Transcendent Guide to Corporate America: Guide to the Guide #9

Work colleagues are like family in that we do no choose them but we are inseparable from them – at least until they’re gone. In “Designated Mourner,” the most traditional story of the collection, a middle-aged man is saddled with one underling, a middle-aged woman he doesn’t particularly like. Blessed and cursed with a personality trait perfect for the corporate world – the needed to be liked if not loved by everyone – he is determined to do the right thing after she falls ill with cancer. The cancer is fatal, and during the woman’s decline, he finds himself making hospital and home visits, meeting the un-monstrous mother that the underling has been complaining about so openly and endlessly at work. He attends the wake, where her friends tell him that she talked about him all the time. They thank him for all that he did for her. He still has one more role to play at work in connection with her: he must help their colleagues process the loss. He is of course appropriate, even moved, although he is never sure what he really feels, and may never know if his sense of obligation created a love for this testy, difficult person he otherwise would have never felt, or robbed him of whatever true affection he might have harbored for her.

In submitting for publication the Transcendent Guide to Corporate America, my collection of stories about work and life in the corporate era, I  wrote a detailed description of the book. It turned into a story-by-story summary about how themes in the stories relate to the general themes of the guide. I thought I'd present them here, one story at a time. This is the ninth. As for what the individual stories are actually "about," you're on your own. If you'd like to read one, some can be found online here.

Transcendent Guide to Corporate America: Guide to the Guide #8

You do not have to visit a cube farm or an executive suite to find corporate America; you can find it in the ubiquity of marketing, in the selling of ourselves even outside the working world. “Cashing In” is a forlorn posting on something called the Unfortunate Heroes blog, where our nameless, faceless, hero tells his 15-minutes-of-fame debacle: in the right/wrong place at the wrong/right time, he saves several lives by clobbering a deranged shooter in a Times Square tourist trap with the help of an electric guitar hanging on the wall as part of the restaurant’s branding. Recovering from the bullet wound he sustains, the young man is interviewed on TV in his hospital bed and makes a joke about the fact that his website, where he displays his photographs of fire plugs and guitars, is down at this moment of maximum publicity. “So much for cashing in,” he quips. With that remark he turns the media and the world against him. Meanwhile, the shooter confesses that he was in an alcoholic blackout and suffers from Hero/Villain Delusion Syndrome; this, along with his public remorse, completes a reversal of public sympathies so that the bewildered narrator becomes the villain and the shooter the victim.

 

In submitting for publication the Transcendent Guide to Corporate America, my collection of stories about work and life in the corporate era, I recently wrote a detailed description of the book. It turned into a story-by-story summary about how themes in the stories relate to the general themes of the guide. I thought I'd present them here, one story at a time. This is the eighth. As for what the individual stories are actually "about," you're on your own. If you'd like to read this one, it's published online here.

Look Forward, Look Back

New Year's Day is a day to look forward but also back. I looked back and discovered that a story I submitted to the Lamar York Fiction contest sponsored by The Chattahoochee Review was a 2017 finalist. Announced on their blog and website last spring, as they promised. I suppose I would have found out before now if I'd won. Still not a bad thing. The story, Love in the Age of Porn, is from my unpublished story collection "Useless Guide to Modern Romance."

Happy New Year.

Hello.

Lovers List

It's been up there in the nav for a while, but it's officially ready for prime time, whatever that might mean: Lovers List. It's part of my Useless Guide to Modern Romance, a nearly complete collection of stories...plus this interactive project of mine and Jesse Fried's. Explanations therein, including the nature of its uselessness.

Lovers List

Hello! Today I'd like to introduce Lovers List, the interactive segment of the Useless Guide to Modern Romance, my in-progress collection that is otherwise short stories. Some of the stories are listed on my Fiction page (How I Saved My Brothers, A Little Bit Closer to Water, After the Party, Back to School Night, Taxonymi).  Lovers List is a click away, and it takes just three clicks to participate...

Brothers Real

So a while ago I published a story called "How I Saved My Brothers,"  about someone with two brothers, both quite accomplished. I happen to have two brothers who are quite accomplished. My older brother, Daniel, just retired after 40 years in the State Department and gave a farewell speech that's been quoted all over the place and landed him on Rachel Maddow. My younger brother, Joshua, just organized a performance in Brooklyn (last Thursday, March 16)  that included his own Radio Wonderland, a solo musical universe that recently released its (his) first album, Seize the Means. The evening also featured experimental music luminaries Todd Reynolds and Peter Gordon, among others. But don't worry, this middle child will brag about himself, too: I'm a finalist in the Writers@Work 2017 fiction contest, for a short story called, "There's No Such Thing as Accidents."  I plan to include this in my short story collection called Guide for the Unguidable, which, yes, is also the name of this blog.

Joshua Fried, aka Radio Wonderland, at the Gemini & Scorpio space in Gowanus, Brooklyn

Joshua Fried, aka Radio Wonderland, at the Gemini & Scorpio space in Gowanus, Brooklyn

Speculative Fiction R Us

Another break from my Guide to the Guide (the guide being the Transcendent Guide to Corporate America) to let you know that Eclectica Magazine has just published four print collections celebrating 20 years online and I've got a story, one of the stories in the Guide mentioned above, in the collection called Eclectica Magazine Speculative v1.

Two decades is a long time for venture like this and I'm proud to be part of it. Oh, the story is "The President's Phone," which is mentioned below.

Transcendent Guide to Corporate America: Guide to the Guide #7

Sam is a rising upper middle management member of a 24-hour global team for a global company and with a huge assignment from the boss, work takes over his life. An evil spirit (or a recurring voice in Sam’s head) sees a perfect opportunity to bring Sam to the point of destroying himself and several factors are working in the evil one’s favor: the round-the-clock pressure, the exhaustion of having a young family, and the realization that his son is heading for a diagnosis of autism spectrum disorder. Father and son share a deep and natural bond, and though Sam knows that both of them badly need to spend more time together, he increasingly finds refuge in his work team, who he sees mostly on screens. As the assignment deadline and the rise in autism symptoms converge, the evil voice is ready to make its play. At the crucial moment in “Tough Blue,” Sam is pulled away by his son’s cry and the devil curses the kid for spoiling what seemed like an easy victory. 

 

In submitting for publication the Transcendent Guide to Corporate America, my collection of stories about work and life in the corporate era, I recently wrote a detailed description of the book. It turned into a story-by-story summary about how themes in the stories relate to the general themes of the guide. I thought I'd present them here, one story at a time. This is the seventh. As for what the individual stories are actually "about," you're on your own. 

Transcendent Guide to Corporate America: Guide to the Guide #6

A lonely, grumpy young woman who struggles with her weight, Eva is certain she is her better self as a “sunshine HR person” at work. She has an epiphany that helps unite the two sides to her personality: when a huge meeting at work is cancelled at the last minute, everyone is relieved nearly to the point of euphoria, and Eva realizes that she can make a business of helping companies create euphoric experiences at work by setting up and cancelling meetings. “Delightenment LLC” chronicles the rise and inevitable, though utterly unfair, demise of her entrepreneurial dream. The pages of the story are illuminated by text boxes taken from the marketing brochure that describes her product line. Eva also tells of her two roommates who, while she is working around the clock, fall in love. On the night her world begins to unravel, she is about to let herself be seduced by some banker/business partner, as she has discovered the slimming effects of being a Type A workaholic. A call from her lawyer interrupts and soon she finds her ambitions cancelled (of course) and she is back where she started: alone, eating chocolate. She privately apologizes to anyone who has ever come to a meeting at work, found it cancelled and, secretly or not, felt disappointed.

 

In submitting for publication the Transcendent Guide to Corporate America, my collection of stories about work and life in the corporate era, I recently wrote a detailed description of the book for Northwestern University Press. It turned into a story-by-story summary about how themes in the stories relate to the general themes of the guide. I thought I'd present them here, one story at a time. This is the sixth and I relive the inspiration for this story on a weekly basis at my dayjob. As for what the individual stories are actually '"about," you're on your own. 

Shortlisted

I interrupt my stream of one-paragraph blurbs about the stories in my collection Transcendent Guide to Corporate America with the news that the book has been shortlisted for the Mary Roberts Rinehart Fiction Contest. So my chances have gone from one in a thousand to one in 20 and now one in 10. If I win I get published and go to a book fair in Virginia where I'll appear with contest judge Porochista Khakpour on C-SPAN, or so I've been told. 

I'm in the middle of reading the wonderful and hilarious Motherless Brooklyn by Jonathan Lethem and with that running around my head the word "shortlisted" sounds like something you don't want to be if you run around with the wrong crowd in Brooklyn or Jersey. But I'm very glad to be shortlisted in this case. They called it "this eccentric collection." If they said it, it must be so.

Here's something about Mary Roberts Rinehart.

Transcendent Guide to Corporate America: Guide to the Guide #5

In Troddy,” the theme of transmigration peaks as we begin a twisted version of the classic tale of a poor son leaving home to realize his nascent ambitions. In this world, the line between person and object is hazy, and our narrator finds that with his innocent pluck he can will his soul into certain objects around him, starting with a tree in a city park, a park bench, and then a watch worn by a man sitting on the bench, a man with a girlfriend, a man with mysterious purpose and power that our narrator is drawn toward. Troddy goes home with him and learns that the mystery his host, Rod, is concealing is some kind of criminal cyber operation. He also learns that Sally, the man’s girlfriend, on whom Troddy is developing an inevitable crush, is on the verge of discovering the same secret. Troddy enters the man’s computer to find out more, but can only figure out that something terribly wrong, even deadly, is happening or has happened. In the rush of his discoveries about the world and first love, he will do anything to save Sally from the danger that she is just realizing she may be in. In a heedless act of bravado, Troddy emerges from the machine world to confront Rod, only to be punched in the face. He survives the criminal’s fury by willing himself into a component of Rod’s stereo system (this is set in some alternative version of the 90s, when cyber crime was a term no one knew yet and people still used stereo components). The component, broken like Troddy, is brought to a repair shop, and in the kind of coincidence permitted (perhaps required) in coming-of-age fairy tales, Troddy finds himself returning to consciousness on the repair shop shelf next to the intercom unit that contains his father. As father and son try to reconnect, they are scooped off the shelf, thrown in the trash and ultimately dumped at sea. Alone but revived, Troddy sees a speedboat coming and prepares to will himself inside it and resume his pursuit of power and glory.

In submitting for publication the Transcendent Guide to Corporate America, my collection of stories about work and life in the corporate era, I recently wrote a detailed description of the book for Northwestern University Press. It turned into a story-by-story summary about how themes in the stories relate to the general themes of the guide. I thought I'd present them here, one story at a time. This is the fifth. (This is also the first piece of fiction I published.) As for what the individual stories are actually '"about," you're on your own.